People in the Dunes -
Interactions of movement with sound
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Performance at Terpsichore Theatre, Tokyo, August 2018

Physical theatre of interactions between movements and sound.

Collaborative project of Haruka Hirayama (Sound and Interactivity) and Bettina Hoffmann (Choreography, costumes, set design, lighting, video). Performers: Mitsuko Aoki (Butoh), Asako Kurematsu, Keke and Nana Suzuki (Contemporary dance)

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A crisis erupts that pushes four office workers into turbulences. Overwhelming noises of their actions suggest crushing danger and alternate with threatening silence. Trying to survive, the office workers are finally using the spatial elements and monotonous actions of a strict office situation in new and untried ways to enter into a corporeal dynamic that gives new meaning to their actions, interactions and lives.

Within the performance People in the Dunes seemingly disparate movements are placed in an antagonistic environment and atmosphere of an office. In this restraining space, dancers do unexpected, destabilizing movements, and enter in some kind of game of power and vulnerability. They are using the spatial elements and monotonous actions of a strict office situation in new and untried ways, and in the end enter into a new spatial and corporeal dynamic that gives new meaning to their actions, interactions and lives.
A motion capture device allows the performers to activate and change sounds that are generated by their actions to emphasize the immediacy of movement, the presence and relations of the dancers in space. Common arid and extemporized sounds waft here, and bridge the relations of individuals. Once sounds are separated from bodies or objects, they can drift like souls, or gain a commanding force and gradually change into some kind of music.

Haruka Hirayama (Ph.D.) studied composition and computer music with Profs Cot Lippe and Takayuki Rai at Sonology Department, Kunitach College of Music in Tokyo and received a B.A. and M.A. She also completed the research programme of Electroacoustic Composition at NOVARS Research Centre of the University of Manchester under the supervision of Prof. Ricardo Climent. She was awarded numerous international prizes and residencies, and her works have been selected and performed at multiple international festivals and conferences. Originally from Murakami, Niigata she is based in Tokyo where she is a lecturer and researcher at several universities. http://www.harukahirayama.com/

Info and details on the making:https://www.facebook.com/peopleinthedunes/